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ÄÄÄÄÄÄÄÄÄ>ÄÄÄÄÄÄÄÄÄ>ÄÄÄÄÄÄÄÄÄ>Chop Here>ÄÄÄÄÄÄÄÄÄ>ÄÄÄÄÄÄÄÄÄ>ÄÄÄÄÄÄÄÄÄ>ÄÄÄÄÄÄÄÄÄ Music is known to be a quality in which one possesses toproduce harmony, or to make others pleasant through messages.Authors use descriptive writing to set the atmosphere in manystories. In the short story, "The Pearl", John Steinbeck usesdifferent types of music to introduce, and set the atmosphere ofthe story. In this, music is used to introduce evil, to showfamily lifestyle, and to show significance of the pearl. John Steinbeck shows evil's intrusion into Kino's family bymeans of music. Evil is introduced into many scenes, by itsshadows and music. Kino, being the main character, is usuallyfirst to hear it. "Kino stepped to the doorway and looked out...The thin dog cameto him, and threshed itself in greeting like a wind©blown flag,and Kino looked down at it and didn't see it. He had brokenthrough the horizons into a cold and lonely outside. He feltalone and unprotected, and scraping crickets and shrilling treefrogs and croaking toads seemed to be carrying the melody ofevil." Here Kino, hears the evil music carried out through the eyesof nature. The baby, Coyotito, is still, and quiet, and does notknow of the evil that is approaching. As for his illness, it hasbeen cured when Kino first found the pearl. In time, a little after Kino hears this evil music, the doctorarrives having already heard about the baby's miraculousrecovery. The doctor informs Kino of Coyotito's situation, andhow the illness will return. He then treats it with a smallremedy. Kino knows Coyotito is not sick, but accepts the doctorshelp to ensure his sons health. Already knowing the doctor'sexpectations in payment, Kino refuses to give up his pearl. Once the doctor leaves the house, Kino no longer hears theevil music that once played with his ears. Following thesymptoms that the doctor assumed, Coyotito becomes ill and lateron returns to his original state. From this scene, one can deduce that Kino's sense of evilcomes from music, and also that this is the form of writing thatJohn Steinbeck uses to introduce an evil pretense. In this scene,evil music is used as a form of descriptive writing, as it setsthe atmosphere for the event about to take place. It also addssuspense, as one may not know where and when the evil shallstrike. Steinbeck tries to emphasize the fact that thisphenomenon that Kino hears is similar to what one may consider asixth sense in modern times. Kino thus has the ability toanticipate evil before it actually appears in the plot. Music within the family is portrayed by a family prayer orsong. This is sung by most of the poor families of the village,as it has an emotional effect on family lifestyles. "Juana sang softly an ancient song that had only three notes andyet endless variety of interval. And this was part of the familysong too. It was all part. Sometimes it rose to an aching chordthat caught the throat saying this is safety, this is warmth,this is the Whole." At this point, Kino awakes as usual to hear sounds of thefamily song. Here, John Steinbeck brings across the point thatKino's family does this on a regular basis and that they considerit similar to a ritual. Steinbeck also stresses that the familymusic is what separates Kino's family from the other villagers. In this scene Kino also hears the sound of breakfast, pigs,and wives. These are all parts of music, but all belonging toother families in the village. The song clearly demonstrates thebond between Kino and his family's lives John Steinbeck uses music of the family as a belief, similarto how we believe in God, and pray to Him. Kino's family singsand believes in their unity, and that if their family was to fallapart, they would lose their point in life. The family uses theirsong as a form of motivation, something to strive for. Kinos mainpoint in life is to ensure a strong future for the family. The song coming from the pearl is similar to that of evil. Theonly difference is that it gives an illusion of good, rather thanthat of evil. "All of these things Kino saw in the lucent pearl and he said,`We will have new clothes'. And the music of the pearl rose likea chorus of trumpets in his ears. Then to the lovely gray surfaceof the pearl came the little things Kino wanted... His lips themmoved hesitantly over this©`A rifle', he said.`Perhaps a rifle'." From this quote, one can notice that as the song of the pearlcontinues, it grows stronger in Kino's head, slowly separatinghim from his family. John Steinbeck brings the song of the pearlto use by changing the needs of Kino, bringing him closer toevil, as he wants more, his greed growing stronger for not onlyhis family, but himself. In later parts of the story, Kino statesthat he would die if he had to give up the pearl. The song of thefamily that once held his morals in place was gone, as the songof the pearl had worked its way through to him. The song of the pearl is not used much throughout the story,"The Pearl", but is used effectively as it constructs moralbarriers that the main character must pass, thus having it's ownsub©plot throughout the story. As any reader may notice, the song of the pearl slowly takesaway the soul of the main character. It thus grants itself ashadow in the "evil song". Because the pearl's music so closely resembles that of theevil music, many cannot capture the fact on how the pearl's musicis truly used. Nearing end of the story, the song of the pearl is actually what prompts kino to kill the thieves, being moredominant than the "evil song". The pearl's music brings Kino toits captivity, thus proving that the music of the pearl takes theside of evil. All three forms of music definitely have their own unique formof expression. Once the pearl enters the plot of the story, allthe forms of music come into effect. "Juana watched him with worry, but she knew him and she knew shecould help him best by being silent and by being near. And asthough she too could hear the Song of Evil, she fought it,singing softly the melody of the family, of the safety and warmthand wholeness of the family." This quote shows a great effect of the pearl's music, evilmusic, and the family music on Kino. He is tempted away from hismorals of the family. Although Juanna tries to rid the evilmusic, she senses that it has already wrapped its hands aroundKino, her husband. By using this method, John Steinbeck compares the two types ofmusic, good and evil, to the devil himself and the Lord, JesusChrist. Jesus, similar to Kino, is tempted by the devils tricks,but both do not give in. Although Kino is tempted to a furtherextent, and actually kills because of his greed, he realizes howmuch value his family is to him, and that there is no price thatcan compensate for the loss of his child. From the above arguments the fact that music's role in "ThePearl" is dominant over the plot can be proved. One can now statethat its influence over Kino, the main character, provoked theplot, and influenced him throughout this story. The fact thatevil music introduced an evil sub©plot can also be stated.Another main point is that the music of the pearl itself was"prim©evil", and that it was disguised, only to lead the readerto believe that the pearl brought evil to its owner. Throughout life music has been used effectively to expressemotions. In "The Pearl" music's value to man kind is trulyshown, as it is well known, music is the soul of life.